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 Chilling Effects Clearinghouse > Copyright and Fair Use > Notices > Pictures are worth a thousand words...words in a cease & desist letter Printer-friendly version

Pictures are worth a thousand words...words in a cease & desist letter

February 22, 2008

 

Sender Information:
[Private]
Sent by: [Private]
Curtis Brown
London, UK

Recipient Information:
[Private]
bukowski.net
South Pasadena, CA, 91030, US


Sent via: postal mail, emai
Re: Bukowski in Pictures

Dear Mr. [Private],

I understand you to be the registrant of Bukowski.net. We have been in contact by e-mail earlier this week about an infringement of my copyright, and the rights of my associates, on your website.

I do not give you permission to share the contents of this letter with ?Chilling Effects,? as you suggest in your e-mail of 20 February 2008. I do not give you or any third party permission to publish this correspondence in any way.

It has come to my attention that approximately seventeen pages from my book Bukowski in Pictures (Edinburgh, Canongate, 2000) have been scanned and uploaded onto your website at:

http://bukowski.net/forum/showthread.php?p=33233. (One sample page enclosed).

These pages are identified clearly as coming from Bukowski in Pictures by [Private]. They appear to have been uploaded by ?Henry Chinaski? with the agreement of ?mjp? on 6/12/2006, when mjp writes in response to ?Chinaski? asking if he can do this, ?Sure, a sampling for critical review. That?s fair use.? I understand you to be mjp.

This is not fair use. I have not given permission for you to copy and publish any pages from my book, let alone seventeen pages. This is a clear infringement of my rights, the publisher?s rights and rights of the individual photographers, one of whom is me and another is a California attorney.

I wish you well with your forum; we do after all have an interest in common. You are at liberty to comment on my books. It would be normal to reproduce a book cover, but it is outrageous to download and publish pages and images inside a book without permission. I have asked you by e-mail and I ask you now formally in writing to please delete these pages from your site, together with any other images copied from my books Bukowski in Pictures and Charles Bukowski: Locked in the Arms of a Crazy Life (I see for example some of the Bukowski childhood pictures I obtained from Karl Fett in Germany on the Photo section of the site). Please do not allow images from these books to be displayed again on your website/s without permission.

If you ever need to, you can contact me or my agent [Private] at Curtis Brown in London, mailing address as above, phone numbers and contact details on my website
www.howardsounes.com

If we can?t help you, we may be able refer you to others who can.

I am asking civilly for you to remove the images. If you do not remove the images within four weeks of the date of this letter, I will however be obliged to consider further steps, including complaining to your domain registrar GoDaddy.com, and taking advice regarding legal action, which may entail a claim for damages for the time these pages have been displayed without permission.

I would urge you to avoid such unpleasantness by simply taking these images down. I see you are a published writer (Riding Out the Dumb Silence). It is not an easy life, especially if you make your living by your books. It becomes impossible if people take your material and use it without permission or payment. As a student of Bukowski?s career, you would know that better than most.

Yours sincerely,

[Private]

 
FAQ: Questions and Answers

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Question: Does this information apply in other countries too?

Answer: Chilling Effects is a United States organization and information on this website is based on U.S. law. Other countries' laws differ, often significantly, so you should not assume that the analyses presented here apply outside the United States. If you have further questions about non-U.S. law, we recommend contacting a lawyer in your jurisdiction.


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Question: Is a cease-and-desist letter confidential?

Answer: There is ordinarily no expectation of privacy or confidentiality in a letter sent to an adversary. Unless you have made a specific promise of confidentiality beforehand, such as in a protective agreement or NDA, a letter demanding confidentiality doesn't bind you.


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Question: What kinds of things are copyrightable?

Answer: In order for material to be copyrightable, it must be original and must be in a fixed medium.

Only material that originated with the author can support a copyright. Items from the public domain which appear in a work, as well as work borrowed from others, cannot be the subject of an infringement claim. Also, certain stock material might not be copyrightable, such as footage that indicates a location like the standard shots of San Francisco in Star Trek IV: The Voyage Home. Also exempted are stock characters like the noisy punk rocker who gets the Vulcan death grip in Star Trek IV.

The requirement that works be in a fixed medium leaves out certain forms of expression, most notably choreography and oral performances such as speeches. For instance, if I perform a Klingon death wail in a local park, my performance is not copyrightable. However, if I film the performance, then the film is copyrightable.

Single words and short phrases are generally not protected by copyright, even when the name has been "coined" or newly-created by the mark owner. Logos that include original design elements can be protected under copyright or under trademark. Otherwise, words, phrases and titles may be protected only by trademark, however.


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Question: What is fair use?

Answer: There are no hard and fast rules for fair use (and anyone who tells you that a set number of words or percentage of a work is "fair" is talking about guidelines, not the law). The Copyright Act sets out four factors for courts to look at (17 U.S.C. ? 107):

  • The purpose and character of the use. Transformative uses are favored over mere copying. Non-commercial uses are also more likely fair.
  • The nature of the copyrighted work. Is the original factual in nature or fiction? Published or unpublished? Creative and unpublished works get more protection under copyright, while using factual material is more often fair use.
  • The amount and substantiality of the portion used. Copying nearly all of a work, or copying its "heart" is less likely to be fair.
  • The effect on the market or potential market. This factor is often held to be the most important in the analysis, and it applies even if the original is given away for free. If you use the copied work in a way that substitutes for the original in the market, it's unlikely to be a fair use; uses that serve a different audience or purpose are more likely fair. Linking to the original may also help to diminish the substitution effect. Note that criticism or parody that has the side effect of reducing a market may be fair because of its transformative character. In other words, if your criticism of a product is so powerful that people stop buying the product, that doesn't count as having an "effect on the market for the work" under copyright law.


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Question: Do I need permission from the copyright holder to make fair use?

Answer: No. If your use is fair, it is not an infringement of copyright -- even if it is without the authorization of the copyright holder. Indeed, fair use is especially important to protect uses a copyright holder would not approve, such as criticism or parodies. See Campbell v. Acuff-Rose Music, 510 US 569 (1994).


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Question: Do plot synopses and reproductions of photographs infringe on copyrights?

Answer: A plot synopsis may or may not infringe on a copyright, depending on whether the court finds that the use of original material is fair use. Photographs are protected by the copyright holder's rights to both reproduce and display his work, and this right may be violated by posting those photographs on the Internet.


[back to notice text]


Question: Does this information apply in other countries too?

Answer: Chilling Effects is a United States organization and information on this website is based on U.S. law. Other countries' laws differ, often significantly, so you should not assume that the analyses presented here apply outside the United States. If you have further questions about non-U.S. law, we recommend contacting a lawyer in your jurisdiction.


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Question: What are the notice and takedown procedures for web sites?

Answer: In order to have an allegedly infringing web site removed from a service provider's network, or to have access to an allegedly infringing website disabled, the copyright owner must provide notice to the service provider with the following information:

  • The name, address, and electronic signature of the complaining party [512(c)(3)(A)(i)]
  • The infringing materials and their Internet location [512(c)(3)(A)(ii-iii)], or if the service provider is an "information location tool" such as a search engine, the reference or link to the infringing materials [512(d)(3)].
  • Sufficient information to identify the copyrighted works [512(c)(3)(A)(iv)].
  • A statement by the owner that it has a good faith belief that there is no legal basis for the use of the materials complained of [512(c)(3)(A)(v)].
  • A statement of the accuracy of the notice and, under penalty of perjury, that the complaining party is authorized to act on the behalf of the owner [512(c)(3)(A)(vi)].

Once notice is given to the service provider, or in circumstances where the service provider discovers the infringing material itself, it is required to expeditiously remove, or disable access to, the material. The safe harbor provisions do not require the service provider to notify the individual responsible for the allegedly infringing material before it has been removed, but they do require notification after the material is removed.


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Question: What is a civil lawsuit?

Answer: In a civil lawsuit, the victim brings a case for money damages against the offender or a third party for causing physical or emotional injuries. Regardless of the outcome of any criminal prosecution, or even if there was no prosecution, crime victims can file civil lawsuits against offenders and other responsible parties. The person who starts the lawsuit is called the plaintiff,and the person or entity against whom the case is brought is called the defendant. Unlike a criminal case, in which the central question is whether the offender is guilty of the crime, in a civil lawsuit, the question is whether an offender or a third party is responsible for the injuries suffered

In a civil suit, unlike a criminal prosecution, the plaintiff is responsible for the cost of litigation. Most attorneys handle victim cases on a contingency basis, which means that the attorney fee is deducted from the final award. This allows individuals to have access to the civil justice system without the need to finance the case themselves. If the case is not successful, the victim usually pays nothing. In a civil suit, the attorney directly represents the victim?s interests and the victim has greater control in case decision-making than in a criminal prosecution. A civil lawsuit is different from the compensation available from the Attorney General's Victim Compensation Division.


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